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THOMAS: We first met at Stanford.
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-In order to get...
-JOHNSTON: Two nights a week.
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THOMAS: Then we'd get credit back
down at Stanford for it.
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JOHNSTON: Our Van Goghs
or our Cezannes.
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THOMAS: After college,
we came down to Los Angeles...
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JOHNSTON: Yeah, where this
retired undertaker lived.
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THOMAS: And their son practiced
having funerals...
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THOMAS: Then in the spring of 1934,
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THOMAS: Well, I thought,
"Gee, this Flying Mouse,
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THOMAS: You could just feel this
as you opened the door to his room.
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THOMAS: My first impression of Walt
was that he wasn't a big shot.
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JOHNSTON: And the guy was into
every phase of the thing.
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JOHNSTON: I soon realized, "here's
the guy that makes this studio go."
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JOHNSTON: Ralph Wright had never
been in a meeting with Walt before,
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JOHNSTON: I'm a kind of a
sentimental guy, I guess.
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THOMAS: Snow White was a bigger
departure than most people realize.
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NEWSREEL NARRATOR:
The seven little dwarfs.
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JOHNSTON: We start with nothing.
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JOHNSTON: I was going to school,
then I met somebody.
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JOHNSTON: You couldn't say
anything to anybody...
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THOMAS: Walt wasn't bothered
by all these jokes...
_________________________________
THOMAS: Hi. Hi. Whatcha got?
_________________________________
THOMAS: We had some special
problems with Bambi.
_________________________________
THOMAS: We'll try to catch her
before she goes out to lunch.
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-WOMAN ON PHONE: Hello?
-Hello.
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ANDY GASKILL:
As far as Frank and Ollie goes,
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MARIE: You want me to help you?
JOHNSTON: Yes.
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JOHNSTON: And it was a very
sad time, to me, for Walt,
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DISNEY: This is Frank Thomas,
one of our key animators.
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INTERVIEWER: Do you consider
yourself a romantic?
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ANDY GASKILL: One of my favorite
sequences that Frank animated...
_________________________________
JOHNSTON: Frank and I had these
two back-to-back sequences...
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THOMAS: Well, Walt had
an idea to add a girl...
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